<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[Adam Lacey ]]></title><description><![CDATA[From Phantom of the Opera to Les Misérables, Adam Lacey’s world-class voice leaves audiences moved and inspired.]]></description><link>https://www.adamlacey.co.uk/blog</link><generator>RSS for Node</generator><lastBuildDate>Mon, 22 Jun 2026 11:34:38 GMT</lastBuildDate><atom:link href="https://www.adamlacey.co.uk/blog-feed.xml" rel="self" type="application/rss+xml"/><item><title><![CDATA[Where Is the Line? Balancing Your Own Interpretation with a Director’s Vision]]></title><description><![CDATA[musical theatre acting, actor and director relationship, acting techniques, musical theatre performer, rehearsal process, drama school advice, theatre rehearsal, character development, actor interpretation, director vision, acting career advice, musical theatre industry]]></description><link>https://www.adamlacey.co.uk/post/where-is-the-line-balancing-your-own-interpretation-with-a-director-s-vision</link><guid isPermaLink="false">6a2c7c47418318a8f7e279b5</guid><pubDate>Fri, 12 Jun 2026 21:55:25 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/f499bc_f983aeddd80f418ca482c9914821627f~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Adam Lacey</dc:creator></item><item><title><![CDATA[Understanding the True Meaning of The Show Must Go On in Performing Arts]]></title><description><![CDATA[People often hear the phrase “the show must go on” and imagine performers forcing a smile, pushing through exhaustion, and carrying on no matter what happens behind the scenes. For a long time, I thought it meant exactly that: an unwritten rule of performing where no matter how tired, hurt, or distracted you are, you simply get on with it. The audience still arrives, the overture still starts, and the curtain still rises. Over the years, and especially recently, I’ve come to understand that...]]></description><link>https://www.adamlacey.co.uk/post/understanding-the-true-meaning-of-the-show-must-go-on-in-performing-arts</link><guid isPermaLink="false">6a04c7bcf5de439405f97a39</guid><pubDate>Wed, 13 May 2026 18:49:35 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/f499bc_84b51021a3f247a582c70c8a74c7989d~mv2.png/v1/fit/w_1000,h_768,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Adam Lacey</dc:creator></item><item><title><![CDATA[What Performing Internationally Taught Me Including Japan]]></title><description><![CDATA[Performing on stages around the world has shaped my understanding of live entertainment in ways I never expected. Each country brings its own unique audience, culture, and expectations. Among these, Japan stands out as a place where the respect for performance and professionalism is truly remarkable. Over my 20 years in musical theatre, concerts, and international events, I’ve learned lessons that have changed how I approach every show.   Differences in Audience Engagement Across Countries...]]></description><link>https://www.adamlacey.co.uk/post/what-performing-internationally-taught-me-including-japan</link><guid isPermaLink="false">69f4ee9bedf5696920d2651f</guid><pubDate>Tue, 05 May 2026 07:30:06 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/f499bc_54b44b4049294fe8a31c1cd3a59a8a1d~mv2.png/v1/fit/w_1000,h_576,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Adam Lacey</dc:creator></item><item><title><![CDATA[How I Approach Learning Lines for Stage Work]]></title><description><![CDATA[Learning lines for stage work is one of the most challenging parts of preparing for a performance. Early in my career, I struggled with memorizing scripts, often feeling overwhelmed and frustrated. Over time, I developed a method that works well for me, focusing on understanding the intention behind each line rather than just rote memorization. This approach has helped me perform with confidence and connect more deeply with my characters.   What Didn’t Work for Me Early On When I first...]]></description><link>https://www.adamlacey.co.uk/post/how-i-approach-learning-lines-for-stage-work</link><guid isPermaLink="false">69f4ee377b1c42fb24f333c1</guid><pubDate>Mon, 04 May 2026 07:45:09 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/f499bc_2d7f064d05174521a949f8568422a93d~mv2.png/v1/fit/w_1000,h_576,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Adam Lacey</dc:creator></item><item><title><![CDATA[What the West End Is Really Looking For Right Now]]></title><description><![CDATA[The West End is one of the most competitive and exciting places for performers. Every year, thousands of talented actors, singers, and dancers audition for roles in shows like Phantom of the Opera and Les Misérables. But what does the West End really want from performers today? I’ve spent over 20 years working in theatre, concerts, and live events, both on stage and behind the scenes. I’ve seen trends come and go, but some things never change. In this post, I’ll share what casting directors...]]></description><link>https://www.adamlacey.co.uk/post/what-the-west-end-is-really-looking-for-right-now</link><guid isPermaLink="false">69f4ede98c5a662f219af84d</guid><pubDate>Fri, 01 May 2026 18:18:17 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/f499bc_2ede30ab1bbb4d2a9883c31b1afa19b6~mv2.png/v1/fit/w_1000,h_576,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Adam Lacey</dc:creator></item><item><title><![CDATA[Mastering Stage Fright Practical Techniques and Mindset Shifts for Performers]]></title><description><![CDATA[Stage nerves can feel overwhelming, especially when the spotlight is on you and the audience waits in silence. As someone who has spent years in musical theatre and live events, I know how performance anxiety can sneak in, no matter how experienced you are. The good news is that stage fright is manageable. With the right techniques and mindset shifts, you can transform nerves into energy that fuels your performance. This post shares practical advice drawn from real professional experience to...]]></description><link>https://www.adamlacey.co.uk/post/mastering-stage-fright-practical-techniques-and-mindset-shifts-for-performers</link><guid isPermaLink="false">69ee5db1cf2afc83b04f1f99</guid><pubDate>Sun, 26 Apr 2026 18:59:16 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/f499bc_79df4a2a78734726b7919259a47e7862~mv2.png/v1/fit/w_1000,h_768,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Adam Lacey</dc:creator></item><item><title><![CDATA[What Drama Schools Don’t Tell You About the Industry.]]></title><description><![CDATA[Drama schools offer invaluable training in acting techniques, voice, movement, and musical theatre skills. Yet, many performers find themselves unprepared for the realities of the industry once they graduate. The gap between classroom learning and the professional world can be wide, and understanding what drama schools often leave out is crucial for anyone serious about building a sustainable career. In this post, I will share honest insights about what drama schools don’t fully prepare you...]]></description><link>https://www.adamlacey.co.uk/post/what-drama-schools-don-t-tell-you-about-the-industry</link><guid isPermaLink="false">69ee611ecf2afc83b04f29c2</guid><pubDate>Sun, 12 Apr 2026 23:00:00 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/f499bc_a5509f8eb2074910bac60d4f41b2a18a~mv2.png/v1/fit/w_1000,h_768,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Adam Lacey</dc:creator></item><item><title><![CDATA[The Ultimate Guide to Choosing the Right PA System and Microphone for Small Live Performances]]></title><description><![CDATA[When you’re starting out as a singer or performer, picking the right PA system and microphone can feel overwhelming. You want clear sound, easy setup, and gear that won’t break the bank. But with so many options, how do you know what to prioritise? In this guide, I’ll share practical advice on choosing the best PA system for singers UK, selecting a microphone for live performance, and making smart investments in your gig equipment for singers. This will help you build a live sound setup that...]]></description><link>https://www.adamlacey.co.uk/post/the-ultimate-guide-to-choosing-the-right-pa-system-and-microphone-for-small-live-performances</link><guid isPermaLink="false">69ee61b840a0465aa6c79b49</guid><pubDate>Tue, 31 Mar 2026 23:00:00 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/f499bc_5deaa20945134650803701d0eec47036~mv2.png/v1/fit/w_1000,h_768,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Adam Lacey</dc:creator></item></channel></rss>